I visited the Dallas Museum of Art before coming here and stood before Mondrian's geometric abstractions — and watching Senegal attack, I see the same principle: bold lines of movement, each player a colour finding its place in the composition. Sadio Mané operates in that forward area with the kind of sovereign freedom that simply overwhelms a Norwegian defence lacking the sweeper authority to contain him — Koulibaly commanding from deep means Senegal are watertight at one end while volcanic at the other. Norway may conjure a moment of craft, Ødegaard threading something quietly beautiful, but one elegant brush stroke does not make a masterpiece when your opponent is painting the entire canvas.